1. Inspiration or infringement : the plagiarist in court
2. Nineteenth-century Anglo-US copyright relations : the language of piracy versus the moral high ground
3. Language, practice, and history
4. The metamorphosis of contrefaçon in French copyright law
5. A common lawyer's perspective on contrefaçon
6. Copyright infringement, free-riding and the lifeworld
7. Copyright and the limits of law-and-economics analysis
8. Substantial similarity of expression' in copyright infringement actions : a linguistic perspective
9. Refining notions of idea and expression through linguistic analysis
10. Copyright, piracy and software
11. Of plots, puddings and draught-excluders : the law as it applies to the Infringement of computer programs
12. Measuring text reuse in the news industry
13. Reflections on measuring text reuse from a copyright law perspective
14. Unoriginal genius : plagiarism and the construction of romantic authorship
15. The genius and the labourer : authorship in eighteenth and nineteenth-century copyright law
16. Piracy and authorship in contemporary art and the artistic commonwealth
17. Copyright's imperfect republic and the artistic commonwealth
18. Reggae open source : how the absence of copyright enabled the emergence of popular music in Jamaica
19. Free-riding on the riddim? : open source, copyright law and reggae music in Jamaica
20. Copyright infringement : a criminological perspective
21. Towards a clearer understanding of the file-sharing phenomenon? : comments on a criminological perspective.